Ugly Babies Art of jailed Nobel-winner Liu’s wife

Despite being a world premiere, the show, which has been open for more than two weeks in a relatively obscure showroom in the western Paris suburb of Boulogne-Billancourt, has gone almost unnoticed by the general public.

Sorman attributes the absence of a higher-profile premiere to France’s complicated relationship with China.

The unsettling series of black-and-white photos show rag dolls that Liu Xia calls her “ugly babies,” and according to Sorman, speak reams about conditions in China.

Outside of China, Liu Xia is mostly known as Liu Xiaobo’s wife.

After obtaining the photos from her in the summer of 2010, he maintained communication via her mother and got approval to showcase the work.

“She hesitated a lot about showing her photos,” said Sorman, who said he had to talk her into the idea of an exhibition. “She thought it was a very personal work that wasn’t worth much.”

Prominent in the 1989 Tiananmen Square crackdown and in the writing of several petitions calling for democratic reform, Liu Xiaobo was jailed in late 2009 for subversion of state power and for being the lead author of Charter 08, a manifesto calling for democratic reform in the one-party state.

“UGLY BABIES”

PARIS (Reuters) Chinese artist Liu Xia never expected her disturbing photographs to be shown beyond the walls of her Beijing apartment. In China, she is a forbidden artist, living in the shadow of her jailed husband, 2010 Nobel Peace Prize winner Liu Xiaobo.

OUT OF SIGHT

For the first time, 26 of her photos, spirited out of China, are being exhibited in a small showroom on the outskirts of Paris.

One photo pictures four dolls pinned under sheer plastic film. Another shows two idle dolls staring vacantly over a giant ashtray full of cigarette ends.

Liu Xia has largely lost contact with foreign supporters and journalists since her husband won the Nobel Peace Prize. Since the award, she has lived under heavy security and been allowed little contact with the outside world.

After threatening to boycott the opening ceremony of the 2008 Olympics in Beijing over a crackdown in Tibet, French president Nicolas Sarkozy has spent years trying to mend diplomatic relations with China.

Shaven-headed Liu Xia is in some ways an unusual match for her outspoken and often acerbic husband, but has stood by his decision to help organize the Charter 08 petition drive for democratic change that triggered his arrest.

“All these dolls are mute (.) they let out a muffled scream,” said Sorman. They were, he said, “the Chinese people, and sometimes Liu Xia and her husband.”

In summer 2010, Guy Sorman, a French author and economist who visited her many times, persuaded the quiet woman to opt for a public viewing abroad.

“It is almost a prisoner’s work,” said Sorman.

“Liu Xia never had a proper studio, and we can see that her artwork is homespun: she uses a very old camera, she develops her photos at home with extremely limited technical means and her dolls are made of rag and wax heads that someone brought her from Brazil.”

Called “The silent strength of Liu Xia,” the exhibition in Boulogne-Billancourt has not received the attention Guy Sorman expected and he blames that in part on a cold shoulder from French officialdom.

In a recent article in Le Figaro newspaper, Sorman lamented the fact that French Culture minister Frederic Mitterand declined an invitation to attend.

“Behind his ‘busy schedule’, we know the minister is scared of offending Beijing,” he wrote.

The no-show was purely a scheduling conflict, according to officials at the ministry, however.

“France is the country that is the most indifferent to human rights in China,” said Sorman, who says he hopes the exhibition will generate greater enthusiasm when it moves on, first to the campus of Columbia University in the United States and later to Madrid and Prague.

“The great exhibition of Liu Xia, I regret to say, will take place in New York,” said Sorman.

Ratings king ‘American Idol’ ready for 11th season

LAS VEGAS “American Idol” is having a bit of a Goldilocks moment. When the nation’s favorite TV addiction debuted 10 years ago, critics complained the judges were too mean to the hordes of would-be singers seeking celebrity.

But after pop icons Jennifer Lopez and Steven Tyler became judges last year, some fans complained the show had lost its bite. “American Idol,” critics complained, had become too nice.

Now in its 11th season, the Fox show that spawned a dozen pop stars and copycat talent competitions is hoping to get it just right.

With the second post-Simon Cowell season under way, Lopez and Tyler said they are striking a balance between showing compassion and respect for their fellow artists, while also not mincing their words.

“Last year was kind of our first year and we were kind of finding our way and figuring out how we were going to do things,” Lopez said during a press conference in between filming the show in Las Vegas on Wednesday, hours before the Season 11 premiere. “But I just think we are more to the point now. We understand how to do it.”

Tyler joked that he was peppering his encouragement with “well-rounded, slanderous attacks.”

Tyler and Lopez’s still-evolving shtick will likely determine whether “Idol” can match its previous successes. In an era of social networking, where YouTube videos result in record contracts, does America still want pop stars invented by a TV show?

All signs say yes.

It’s been a decade since Texas native Kelly Clarkson was plucked from obscurity and turned into the nation’s first American Idol in 2002 and by all accounts the show has retained its dominance over the nation’s TV viewers.

Lopez and Tyler’s debut year saw the show maintain its spot as the nation’s most-watched TV show, making it No. 1 for the eighth-straight season. Scotty McCreery, last season’s winner, became the first “Idol” to start his post-show career with a No. 1 album since Ruben Studdard in 2003.

No major changes have been announced for the show’s 11th season. The season is opening with taped audition episodes before it shifts to live shows in Los Angeles that include audience voting. The show’s season premier Wednesday was to focus on Savannah, Ga., before continuing in Pittsburgh on Thursday.

Veteran music producer Jimmy Iovine, chairman of Interscope-Geffen-A&M, is returning as the in-house mentor for the contestants. Finalists will once again compete midway through the competition on the Las Vegas Strip, where 42 contestants practiced singing Wednesday morning.

Tyler said soul music has emerged has this season’s genre of choice, with many of the contestants looking to channel chart-topper and British soul diva Adele.

The season could mark Ryan Seacrest’s last year hosting the show. He has said he would like to stay on as the show’s host past 2012, but his contract ends this year. There have been several reports that Seacrest could replace Matt Lauer, should he decide to leave the “Today” show on NBC.

Season 11 opens in a different era from when the show launched in 2002. Then, former judge Cowell helped turn the competition into a national phenomenon with his harsh feedback for the show’s less-than-stellar contestants. It was the only singing competition of its kind at the time.

But last year Lopez, Tyler and lone original judge Randy Jackson seemed reluctant to point out contestants’ shortcomings in the same blunt manner that helped make “Idol” must-see entertainment.

The TV landscape has also changed. “Idol” now faces challenges from NBC’s competition “The Voice,” and Fox’s “The X Factor,” which stars Cowell.

The show has helped launched the careers of pop stars Clarkson, Jennifer Hudson, Chris Daughtry and Carrie Underwood.

Inside Dasha Zhukova’s Garage, Clyfford Still Museum Preview, Fashion and Art Get It On, and the Wee

The most-talked-about stories on ARTINFO, September 5-9:

– With the 10th anniversary of 9/11 on the horizon,wholesale Ed hardy scarves, ARTINFO editor Andrew M. Goldstein interviewed Michael Arad about his austere Ground Zero memorial, deputy editor Ben Davis looked at the history of controversies surrounding “9/11 Art,” assistant editor Kyle Chayka reviewed PS1′s new “September 11″ show, and assistant news editor Julia Halperin talked to art historian Simon Schama about his support of a contentious London tribute to the tragedy.

– Dasha, Dasha, Dasha! Tastemaker Dasha Zhukova about her new “Garage” magazine (with its racy Damien Hirst butterfly cover), while in St. Petersburg, the “art island” her boyfriend Roman Abramovich was creating started to come together.

– Gagosian gallery was cleared in the strange “debasement” lawsuit leveled at it by a woman ejected from an Anselm Kiefer show.

– ARTINFO style editor Ann Binlot took a look at Fashion Week’s bout of pop-up shows at New York art spaces. 

– We offered a first look at the unique features of the soon-to-open Clyfford Still Museum in Denver.

– In the UK, the rivalry between Banksy and rival King Robbo got the documentary treatment.

– Some pretty well-known names in the world of art made custom work with the Polaroid GL10, to promote Lady Gaga’s reimagining of the brand.

– Design lovers were already going wild for Missoni’s new line of houseware accessories for Target.

– The Dia Art Foundation’s planned return to Chelsea got even more interesting with its $11.5 million purchase of a space at 541 West 22nd Street.

– Noah Charney took a look at the wave of vandalism at historic monuments in Rome, including the Trevi Fountain and the Colosseum.

– Fashion maven Daphne Guinness, who loaned a large number of pieces to the Met’s epoch-making “Savage Beauty,” talked about the future of the show. 

– George Kuchar, icon of bad-taste cinema and hero to the avant garde, passed away. 

– Kyle Chayka talked to artist Jennifer Dalton about her buzzed-about show at Winkleman Gallery, in which she trains her wit on representations of women in the media. 

 

‘Bubble Wrap Kids’ TV Show Explores ‘Slow Parenting’ Style

Canadian Broadcasting Center’s The National featured a discussion about a parenting style that is gaining momentum. “Slow parenting” is a hands-off approach to raising kids that allows more choice and less structure. “Slow parenting” is being applied in a new reality television show called “Bubble Wrap Kids.” Here are details about this growing parenting trend.

“Free-range kids” vs. “helicopter parents”

The National’s Melanie Nagy talked with Lenore Skenazy, and advocate of child-centered, slowed-down parenting. Skenazy says she became the most hated mom in America when she allowed her 8-year-old child to ride a New York subway alone. In her book “Free Range Kids: How to Develop Safe, Self-Reliant Kids (Without Going Nuts with Worry),” Skenazy revisits the overprotective vs. permissive parent debate. Free-range kids are allowed to be autonomous. She contrasts this parenting style with “helicopter parents” who are fearful, always hovering and ready to rush in to assist their child, even if the child might not want or need that help. Skenazy says overanxious parents communicate a lack of trust to their children. Sheltered children don’t learn that it’s okay to experiment and to make mistakes. They can’t learn new skills or develop confidence. The only coping skill they learn is fear, Skenazy says.

“Bubble Wrap Kids”

In an effort to shield their children from any danger, overprotective parents generally have lengthy lists of things they don’t allow: sleepovers, walking places alone, visiting friends, potentially dangerous recreation and Internet usage. Even allowing kids to cook or prepare their own food is fearful for some parents. On her Cineflix TV show “Bubble Wrap Kids,Cheap Juicy Couture,” Skenazy goes into homes and helps “helicopter” parents process their own fears and give their children safe, age-appropriate freedoms. Skenazy works with kids, teaching them tools they need to be independent.

“Slow parenting”

“Slow parenting” is not a new concept. Canadian journalist and parent Carl Honore has been writing about the “Slow Movement,” which combats overmanaged, overbusy family life. Instead of pushing their kids so hard, Honore encourages families to take life at less frenetic pace, to get off the grid and to give children room to grow and experience life naturally. A Technology, Entertainment, Design speaker, Honore says kids are under too much pressure to be always successful. In his books “In Praise of Slowness,” he discusses the toll that the push to achieve takes on kids, emotionally, physically and mentally. He encourages parents to help kids get in touch with their “inner tortoise.”

Marilisa Kinney Sachteleben writes about parenting from 23 years raising four children and 25 years teaching K-8, special needs, adult education and home-school.

‘Devil Inside’ could scare ‘M I 4′ at weekend box office

LOS ANGELES (TheWrap.com) With only one new movie opening in wide release, this weekend is shaping up to be “catch-up” time at the multiplex — a chance for audiences to see films they’ve been meaning to watch, but haven’t had the opportunity.

But there’s a twist.

While “Mission: Impossible — Ghost Protocol” likely will spend its last weekend at the top of the box office — there is a chance “The Devil Inside,” an R-rated horror film from Paramount — could knock it off its perch.

Even at No. 2, Paramount has a winner with “Devil.” It cost just under $1 million to make, and the studio is projecting that it will take in $8 million over the weekend. Outside box-office watchers say that Paramount is low-balling: The most conservative among industry experts put the number at $12 million to $16 million and BoxOffice.com is predicting as much as $23 million.

Paramount’s television advertising has been non-stop, and the studio’s digital spend looks to be massive, with new clips almost every day on major horror websites.

On top of that, horror fans haven’t had a major new movie since October,wholesale Ed hardy shoes, when “Paranormal Activity” — also a Paramount release — ruled the box office. So they’re waiting.

There is a tiny bit of competition for the horror viewer this weekend: Image Entertainment is opening the R-rated “Beneath the Darkness,” starring Dennis Quaid, in limited release. Also in limited release this weekend are Magnolia’s R-rated drama “Roadie” and Red Flag Releasing’s unrated Japanese film “Norwegian Wood.”

“Devil’s” tracking is only adequate. The research firm NRG says that 56 percent of those polled are aware of the movie. Not surprisingly, its best numbers are among men younger than 25, 64 percent of whom report some awareness of the movie. Among women younger than 25, the number is 61 percent.

Among people between 17 and 34, 63 percent are aware of the movie.

“Devil” is about a woman whose mother has brutally killed three people. Twenty years later, she travels to Italy, where her mother has been committed to a hospital for the criminally insane. There, the young woman convinces two young exorcists to cure her mother — but they find four powerful demons.

The movie has no established stars and was written by William Brent Bell and Matthew Peterman, with Bell directing and Peterman producing.

Movies like “Insidious,” which grossed $97 million worldwide on a $1.5 million budget, and the phenomenally successful “Paranormal Activity” franchise show that ultra-low-budget horror films such as “Devil” can draw significant audiences.

But can “Devil” displace “Mission: Impossible?”

Possibly.

“M:I:4,” entering its fourth weekend in release, is looking at a $19 million weekend. It grossed $29.4 million last weekend, $38.2 million over the four-day New Year’s weekend.

Last weekend’s No. 2 movie, “Sherlock Holmes — A Game of Shadows,” is projected to take in $14 million to $15 million this weekend.

Nobody expects “Devil” to perform anywhere near “Paranormal Activity 3,” which opened to nearly $53 million last October.

One other horror film opened to No. 1 last year — New Line’s “The Rite,” which opened the last weekend in January to just short of $15 million.

Winfrey Dedicated to OWN despite rocky first year

LOS ANGELES Oprah Winfrey earned the rare opportunity to convert her media charisma into a monogramed TV channel. Now she’s the one tasked with rescuing OWN, the Oprah Winfrey Network, after a disappointing first year.

It’s a high-stakes, potentially ego-shattering challenge that could make the strongest woman or man flinch. But win or lose, Winfrey says she relishes the fight to turn OWN’s fortunes around.

“Yes, some mistakes were made. Who hasn’t made mistakes? The real beauty is you can say, `I learned from that,’” Winfrey said. “I don’t worry about failure. I worry about, `Did I do all I could do?’”

The cable channel, which marks its first year Jan. 1, is trying for a fresh start after executive turnover and missteps that proved OWN lacked a solid foundation on which to build, this despite a Discovery Communications investment of a reported $250 million and counting.

Viewers snubbed the lineup that skimped on programming and, surprisingly, what should have been OWN’s unique weapon of choice: Winfrey herself, whose limited on-air presence will be boosted Sunday with a new weekly series, “Oprah’s Next Chapter.”

OWN has failed to improve on, or in some instances even match, the modest ratings and small audience earned by the low-profile Discovery Health channel it replaced.

“I would absolutely say it is and was not where I want it to be for year one,” Winfrey said. “My focus up until (last) May was doing what I do best, which is `The Oprah Winfrey Show,’ and giving that my full attention” until its conclusion.

But Winfrey, who said management team errors in planning and execution could serve as a cautionary tale (“I was never interested in writing a book. … THIS could be a book”), rejects the idea that a single year’s performance will determine OWN’s ultimate fate. Or hers.

“Somebody was talking to me in that kind of saddened, `How are you?’ tone, and I was thinking, `I’m fine,’” said Winfrey, 57, who ruled as the queen of daytime TV until she ended her talk show after 25 years and turned her attention to the channel.

“I realized the reason people have this tone is they’re reading all the press (about OWN), so you see me and wonder if I can still walk. … I am a determined and committed woman. I don’t give up. I’m just getting started,” she said in a recent interview.

One bonus of being Oprah: She has received pep talks from other media movers and shakers.

“Everybody has told me Ted Turner has told me, Barry Diller has told me, Lorne Michaels has told me, David Geffen has told me anybody who’s ever worked with a channel, who’s ever done anything, has said it takes three to five years,” she said, adding, “You have to do the work. … You do not have to pay attention to the criticism.”

Year two for OWN will reflect executive changes made last July, when Winfrey expanded her role at the channel by adding the roles of chief executive and chief creative officer to her position as chairman. Discovery Communications COO Peter Liguori had filled in as interim head after OWN CEO Christina Norman was dismissed in the wake of poor ratings.

Although the channel’s ownership is split evenly between Discovery and Winfrey’s Chicago-based production company, Harpo Inc., it is Discovery’s money that’s on the line.

With more scheduling consistency, movies, original series with and without Winfrey, and “a lot more Oprah in general,” Discovery is “a lot more confident that we’re heading in the right direction,” said company spokesman David Leavy.

Sheri Salata and Erik Logan, two veteran Harpo executives, were brought on board to share the title of OWN president, with Logan moving from Chicago to OWN’s Los Angeles headquarters.

Logan said he clearly understands the hard work in establishing any cable channel, and this one in particular.

“One of the greatest gifts and challenges is to have her name on the door,” Logan said of his top boss. “Everything you do garners a high level of scrutiny and attention. … We don’t run from that.”

The initially slight programming lineup is being beefed up, most notably with “Oprah’s Next Chapter.” The weekly series debuts 9 p.m.-11 p.m. EST Sunday with Winfrey’s visit to the New Hampshire home of Steven Tyler.

“Next Chapter” turns the once studio-bound Winfrey into a globe-trotting interviewer who drops into the home of a Hasidic Jewish family in New York, George Lucas’ Skywalker Ranch in California and cook Paula Deen’s Georgia estate. There is also a trip with Sean Penn to Haiti, fire-walking with Tony Robbins and a planned India trip with Deepak Chopra.

The injection of Winfrey on-screen, not just in the executive suite, is sorely needed, suggested one industry analyst.

“The biggest mistake they made is, if it’s the Oprah Winfrey Network, where’s Oprah?” said Bill Carroll of media buying firm Katz Media.

He compared OWN’s Winfrey vacuum to programming the Court TV channel without courtroom shows or the Major League Baseball channel without games: “After a while, viewers stop going,” Carroll said.

OWN has averaged about 136,000 viewers a day, a drop of 8 percent from what Discovery Health drew in 2010, although it’s up slightly in total viewers in prime time and has seen an 8 percent increase among women ages 25 to 54, part of the channel’s hoped-for demographic.

Popular shows include “The Judds,” which ran for six episodes in April and May; “Our America With Lisa Ling”; and the reality series “Welcome to Sweetie Pie’s,” which attracted a strong African-American audience (prompting media reports that OWN intended to skew toward black viewers, an assertion that Discovery and Winfrey deny. “It doesn’t mean we’re going to turn into the `Roots’ channel,” Winfrey said, wryly.)

Winfrey also is on-air with “Oprah’s Lifeclass,” which draws on her talk-show archives, and “Oprah’s Master Class,” a series of high-achiever biography specials. But, she said, she never “was supposed to carry the channel on my back, and it never was supposed to be about me being on the air as much as possible.” Instead, O magazine, with Winfrey as monthly cover girl and articles reflecting her better-life philosophy, is the intended model.

She attributes the channel’s rough start to a more basic error: The lack of a “library” of programming for the many hours of airtime not filled by original shows, compounded by overconfidence about her market value in general.

“I don’t understand what anybody was thinking. You’re going on the air, you’ve got four shows. What do you think you’re going to do by Tuesday? Did they think people were going to turn on the channel just because it had my name on it?” she said, sounding almost eager to cast doubt on her drawing power.

“People didn’t turn on `The Oprah Winfrey Show’ because my name was on it. It was absolutely topic driven every day,” she said.

Such modest expressions aside, Winfrey’s involvement clearly is key to the channel’s success. She’s glad to make the commitment, she said. As her longtime boyfriend Stedman Graham told her, she’d be bored silly today if she’d taken any lengthy break after ending her daytime show.

Discovery is also in it for “the long term,” said spokesman Leavy, citing the three to five years that other cable channels have needed to develop audience-grabbing hits and firmly establish themselves.

He declined to specify what Discovery has spent so far on the venture, calling media estimates high. But he pointed to long-term advertising contracts with major companies including Procter & Gamble, and hopes of new carriage fees from cable providers that have been airing the channel for free.

Viewership that has been lower than expected, however,Replica Ed hardy, has meant “make goods” in ad time for sponsors.

Winfrey, who describes herself as obsessed by ratings for the first time in her career, said she’s giving OWN “everything I’ve got. I’ve spent more energy doing this than anything I’ve ever done in my whole life.”

With good reason. “I walked in today (to OWN’s offices) and felt uplifted to see my name on the door, Oprah Winfrey Network,” she said. “Just to … be able to sit in a room with a team of people presenting you with ideas what a gift that is.”

It has also made OWN her ultimate responsibility.

“Every third week, someone new was in charge, and now she’s in charge. From where I sit, this is going to be her success or her failure,” said analyst Carroll.

Winfrey claims to have an unlikely sounding Plan B if the channel falls short.

“If this doesn’t work out, I’m going to go into organic farming in Maui. And I’m not kidding.”

___

Online:

http://www.oprah.com/own

___

EDITOR’S NOTE Lynn Elber is a national television columnist for The Associated Press. She can be reached at lelber(at)ap.org.

Rape-allegation suit against Brown U. is dismissed

PROVIDENCE, R.I. A man who claimed Brown University kicked him out and failed to notify authorities when the daughter of a major donor falsely accused him of rape reached an agreement Wednesday with the woman’s family, resulting in the dismissal of his federal lawsuit against the Ivy League college.

The agreement was reached in U.S. District Court in Providence by William R. McCormick III, 24, and his parents; his accuser and her father; and Brown.

Attorneys for McCormick and his accuser released a statement saying they “have resolved all of the disputes between them … to their mutual satisfaction.” They declined to comment further.

The agreement says McCormick and his parents are barred from suing again.

Brown spokeswoman Marisa Quinn says the school is not a part of the settlement and did not participate in negotiations. She said that she did not know the details of the agreement but that Brown acted appropriately.

Michael Burch, a former assistant wrestling coach at Brown who was assigned to represent McCormick during the university disciplinary process when he was accused in 2006, said the outcome was a victory for McCormick.

“I’m proud and I’m happy for him that he fought so long against these influences and forces,” Burch said. He criticized Brown, which he said has not learned from this situation.

“Brown will always put its image and money first,” Burch said.

The McCormicks sued in 2009 after, they say, university administrators gave William McCormick III a one-way plane ticket home to Wisconsin when he was accused of rape in autumn 2006.

The student accused McCormick of stalking and harassing her when they were freshmen that September. He says he was abruptly removed from campus after the student later accused him of raping her in her dorm room while she was trying to study.

McCormick alleged the school accepted the rape allegations as true without doing an investigation. Brown didn’t refer the matter to police and instead handled it internally, the lawsuit says.

The lawsuit says the father of the accuser is a Brown alumnus who has “donated and raised very substantial sums of money.” It says he was in regular contact about the allegations with administrators and contacted university President Ruth Simmons directly.

McCormick has maintained he did nothing wrong but agreed to withdraw from the school after a confidential agreement with the accuser’s family. The lawsuit says he signed the contract under duress.

Under that agreement, the accuser agreed not to press charges or take other legal action against McCormick. The woman graduated from Brown in 2010.

McCormick,wholesale Ed hardy shoes, a champion high school wrestler from Waukesha, Wis., was at Brown on a full scholarship. After leaving the school, he enrolled at Bucknell University in Lewisburg, Pa., where he graduated in the spring.

The Associated Press generally does not identify people who say they were sexually assaulted, and is not naming the father to avoid identifying the woman.

Education department awards grants to 7 states

(Reuters) Seven states will share $200 million in grant money they can use to improve student achievement, the Department of Education announced on Friday.

Arizona, Colorado, Illinois, Kentucky, Louisiana, New Jersey, and Pennsylvania will share the money they were awarded in the third round of the funding competition.

“These seven states are now among 22 Race to the Top winners spread out across the country that are investing in key education reforms to prepare more students for college and careers,” U.S. Education Secretary Arne Duncan said in a statement.

Fifteen states and the District of Columbia were awarded grants in the first two rounds of the Race to the Top competition.

Previous winners included California, Delaware, Washington D.C., Florida, Georgia, Hawaii, Maryland,wholesale Ed hardy shoes, Massachusetts, Minnesota, New York, North Carolina, Ohio, Rhode Island, Tennessee and Washington.

Congress has passed a fiscal 2012 spending bill that includes $550 million in Race to the Top funding. (Reporting by Chip Barnett; Editing by Andrew Hay)

Mosaic quarterly earnings beat Street’s forecast

NEW YORK (Reuters) Fertilizer producer Mosaic (MOS.N) posted a higher-than-expected quarterly profit as higher prices helped offset a dip in phosphate sales and flat potash volumes.

The company warned that volumes may remain sluggish into the spring, as its distributors and farming customers remain cautious due to economic uncertainty.

“While we expect third quarter results to decline due to near-term macroeconomic uncertainty and cautious distributor purchasing behavior, we remain confident of the strong long-term demand prospects for our products,Replica Moncler,” Mosaic Chief Executive Jim Prokopanko said in a statement.

For the fiscal second quarter ended November 30, the company earned $623.6 million, or $1.40 per share, compared with $1.03 billion or $2.29 a share in the year-ago period.

Analysts expected earnings of $1.28 per share, according to Thomson Reuters I/B/E/S.

The year-ago results were helped by the one-time gain of the sale of a business.

Revenue rose 13 percent to $3.01 billion. Analysts expected $3.2 billion in revenue.

Potash and phosphate — Mosaic’s two main products — are the second- and third-most important fertilizers for farmers to apply, after nitrogen.

Mosaic’s average selling price for potash rose to $440 per tonne from $331 a year earlier. Volumes, at 1.8 million tonnes, were flat.

The company’s average selling price for phosphate rose to $661 per tonne from $461, offsetting a 14 percent drop in volume.

Mosaic has complained that phosphate volumes are too low, and last week said it would cut phosphate production this year due to low prices for the nutrient.

The company is also battling in the courts for a permit that would let it expand a Florida phosphate mine.

Shares of Mosaic gained 0.6 percent to $52.59 in after-hours trading. The stock has traded between $44.86 and $89.24 in the past 52 weeks.

(Reporting By Ernest Scheyder; editing by Andre Grenon and Matthew Lewis)

Spoleto Festival USA unveils lineup for new season

CHARLESTON, S.C. The American premiere of the Philip Glass opera “Kepler,” a concert by vocalist k.d. lang, and the return of Dublin’s Gate Theatre highlight the 36th season of the Spoleto Festival USA this spring.

Chamber music, acrobatic performances and orchestral concerts are also on the schedule for the festival that will light up 13 venues including theaters, churches and open-air sites from May 25 through June 10.

The festival,Wholesale Juicy Couture, which released the lineup this weekend, features more than 140 shows by 60 groups and performers.

To commemorate Glass’ 75th birthday and his long relationship with Spoleto, the festival is staging a full production of “Kepler,” which in this country has only been presented in concert form. The opera is about astronomer Johannes Kepler.

A second Spoleto opera is the American premiere of “The Phoenix Pavilion” by contemporary Chinese composer Guo Wenjing. It features an orchestra of four traditional Chinese instruments playing with musicians playing 11 traditional Western instruments.

This year’s festival includes concerts by Grammy Award-winning lang and well-known gospel singer Mavis Staples as well as the Rebirth Brass Band from New Orleans, and “Doghouse” by Jonny Greenwood of the rock band Radiohead.

Dublin’s Gate Theatre will make its eighth appearance at Spoleto with a production of Noel Coward’s “Hay Fever.” The British theater collaborative known as 1927, which appeared at Spoleto in 2008, is back with “The Animals and Children Took to the Streets.” The production is a dark fairy tale told with acting, music and animation.

The theater offerings also include Jack Hitt, who performs on public radio, and Mike Daisey in one-man shows.

The dance lineup includes performances by the Alvin Ailey American Dance Theater and the Cedar Lake Contemporary Ballet.

In the visual arts, the festival offers “Return to the Sea: Saltworks,” works crafted entirely of salt by Japanese artist Motoi Yamamoto. The works are the artist’s effort to keep alive the memory of his sister who died of brain cancer at 24.

The Spoleto Festival also features jazz, choral performances, the popular chamber music series and the festival orchestra in a contemporary music program. The orchestra features 83 musicians selected in nationwide auditions.

The internationally known arts festival was started in Charleston in 1977 by composer Gian Carlo Menotti as a companion to his Festival of Two Worlds in Spoleto, Italy.

He left the Charleston festival almost two decades ago in a dispute over his successor and died in 2007 at age 95, still estranged from the America festival.